{"product_id":"voice-into-acting-integrating-voice-and-the-stanislavski-approach-paperback","title":"Voice into Acting: Integrating Voice and the Stanislavski Approach - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eChristina Gutekunst\u003c\/b\u003e (Author), \u003cb\u003eJohn Gillett\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHow can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eChristina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors - the acting approach widely taught to actors in drama schools throughout the world. \u003cp\u003e\u003c\/p\u003eThis updated edition contains: a new chapter on vocal embodiment of actions, new findings from neuroscience supporting the approach, more exercises, warm-up routines for training, rehearsal and performance, and a completely new glossary of terms. \u003cp\u003e\u003c\/p\u003eThe authors create a step-by-step guide to explore how voice can: \u003cp\u003e\u003c\/p\u003e- Respond to our thoughts, senses, feelings, imagination and will\u003cbr\u003e- Fully express language in content and form\u003cbr\u003e- Communicate imaginary circumstances and human experience\u003cbr\u003e- Transform to adapt to different roles\u003cbr\u003e- Connect to a variety of audiences and spaces \u003cp\u003e\u003c\/p\u003eFeaturing 55 illustrations by German artist, Dany Heck, \u003cb\u003e\u003ci\u003eVoice into Acting\u003c\/i\u003e\u003c\/b\u003e is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eJohn Gillett\u003c\/b\u003e is the author of \u003ci\u003eActing on Impulse - Reclaiming the Stanislavski Approach\u003c\/i\u003e (Methuen Drama, 2007); the second extended edition, \u003ci\u003eActing Stanislavski - A practical guide to Stanislavski's approach and legacy \u003c\/i\u003e(Bloomsbury, 2014); and co-author with Christina Gutekunst of \u003ci\u003eVoice into Acting - Integrating voice and the Stanislavski approach \u003c\/i\u003e(Bloomsbury 2014, and now in a second edition, 2021). He has also written articles on acting and the preface for a new edition of Stanislavski's \u003ci\u003eCreating a Role\u003c\/i\u003e (Bloomsbury Revelations, 2013). John trained as an actor in the approach of Stanislavski and Michael Chekhov and has worked widely in theatre, radio, film and television. He has taught and directed in many drama schools, including RADA, LAMDA, CSSD, and GSA, and was Head of the Post Graduate Acting Course at East 15. John has run acting workshops here and aboad, is a member of Equity and has had a prominent role in the writing of recent arts policy documents for Equity and the Creative and Leisure Industries Committee of the TUC (2019). \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003eChristina Gutekunst\u003c\/b\u003e has been Head of Voice at East 15 Acting School since 2003. Apart from co-writing \u003ci\u003eVoice into Acting\u003c\/i\u003e, she contributed a chapter, Organic Voice: Vocal Integration through Actor Training in \u003ci\u003eSomatic Voices in Performance Research and Beyond\u003c\/i\u003e (edited by Christina Kapadocha, 2020). \u003cp\u003e\u003c\/p\u003eChristina trained as an actor in Germany and Britain, and then gained her Post Graduate diploma and MA in voice studies at the Royal Central School of Speech and Drama. She has taught voice in numerous acting schools, has worked on voice-overs as actor and director and co-ran two theatre companies. She has also coached on productions for TV and theatre.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 328\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 9.6 x 7.4 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 11, 2021\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52933487755375,"sku":"9781350064911","price":75.31,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0717\/4966\/4879\/files\/EvUTFOqHQC9781350064911.webp?v=1775872455","url":"https:\/\/finderbooks.com\/products\/voice-into-acting-integrating-voice-and-the-stanislavski-approach-paperback","provider":"Finder Books ","version":"1.0","type":"link"}